Monday, March 13, 2017

TOW #23 - The Little Mermaid Playbill

Alas, the school's musical has come to an end. With all the free time I have without after school, late night rehearsals, I decided to analysis "The Little Mermaid" program in honor of it's closing this weekend. I should confess that this will most likely not help with my PSD (Post-show depression, as theater kids would call it).
Pictured is the outline of a mermaid, likely to be Ariel. She is facing the sun, sitting on a rock just above the sea. This is similar to how the show opens, with Ariel on her rock, looking out to the ocean to a ship that which Prince Eric is sailing. We can infer that this is what Ariel is looking at.
This texts, like the show, makes the argument that people often get curious of the unknown. Ariel, a mermaid, finds herself collecting "human stuff" and eventually (spoiler alert) sells her soul to the sea witch, Ursula, in place of getting legs. Ariel's body is facing towards the sun to highlight this longing.
I agree with this argument. I think that, for as long our existence on this earth, we are drawn to forbidden things. Think Adam and Eve, for instance. The forbidden fruit that Eve ate is equivalent to that of land for Ariel.

In some cases, following one’s curiosity can be a good thing. It can lead to new discoveries, new talents, and rid one of prejudice. For Ariel case, things worked out well for her when she visited the human world (thanks Disney). But, in some case, like Adam and Eve, obstacles will occur. It is imperative that when you follow your curiosity, you’re doing it with the right intentions. Otherwise, disasters may occur, or danger will proceed.

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